JOHN TUFTS

John Tufts (b. Medford, Mass., 26 Feb. 1689; d. Amesbury, Mass., 17 Aug. 1750) was a congregational minister, later a merchant, probably a teacher of singing schools, and perhaps a composer. He graduated from Harvard College in 1708 and was elected pastor of the Second Church in Newbury (later First Church of West Newbury) in 1714. He was a leader in the reform of psalmody around Boston in the 1720s. The Core Repertory tune PSALM 100 NEW was introduced into print by him, and it is possible that he was its composer. In 1738 he left the ministry and became a shopkeeper at Amesbury.

          Amerigrove, Baker's Bio-bib, DAB, Metcalf. Also Lowens 1964, ch. 3; Shipton 1937, P. 457-61.

AN INTRODUCTION TO THE ART OF SINGING PSALM-TUNES, OR AN INTRODUCTION TO THE SINGING OF PSALM-TUNES, 1721-44

An Introduction to the Singing of Psalm-Tunes, [pre-1st ed., 1721] 

For further details see Lowens 1964, ch. 3, 'The First American Music Textbook.' Lowens writes: 'Although 1710, 1712, 1714, and 1715 have been cited by reputable bibliographers as probable years of initial publication, it is extremely doubtful that Tufts's Introduction was issued before 1721.'

ASMI 488 

[An Introduction to the Singing of Psalm-Tunes, 1721] Boston News-Letter, 2-9 Jan. 1721, advertises: 'A Small Book containing 20 Psalm Tunes, with Directions how to Sing them, contrived in the most easy Method ever yet Invented, for the ease of Learners. will speedily be published. To be Sold by Samuel Gerrish Bookseller; near the Brick Church in Cornhill, Price 6d.'

          Not in Evans. No copy located.

An Introduction to the Singing of Psalm-Tunes, [1st ed., 1721]

ASMI 489 

[An Introduction to the Singing of Psalm-Tunes, 1721] Boston News-Letter, 24 April - 1 May 1721, advertises: 'A Collection of 28 Psalm Tunes with Instructions for Singing them, in the easiest Method which has yet been known. To be Sold by Samuel Gerrish Bookseller in Boston. Price 6d. single, or 5sh. per dozen.' Thomas Symmes's A Discourse Concerning Prejudice (Boston, 1722), p. [22], carries an advertisement for this item, described in some detail and attributed there to 'the Rev. Mr. John Tufts.' See E2388.

          Not in Evans. No copy located.

An Introduction to the Singing of Psalm-Tunes, [2d ed., 1723]

ASMI 490 

[An Introduction to the Singing of Psalm-Tunes, 1723] Boston News-Letter, 21-28 Jan. 1723, advertises: 'Just Publish'd, & to be Sold by Samuel Gerrish, A Small Singing Book of 18 Psalm Tunes (both Trible and Bass) in the easy Method of Singing by Letters instead of Notes, first contrived by the Reverend Mr. Tufts.'

          Not in Evans. No copy located.

An Introduction to The Art of Singing Psalm-Tunes, 3d ed., 1723

ASMI 491 

An Introduction to the Art of Singing Psalm-Tunes, in the most plain and easy method ever yet made known. Or, A Collection of the Best Psalm-Tunes in two parts, fitted to the meanest capacity. First contrived by the Reverend Mr. Tufts. The third edition. With an addition of the basses of the tunes printed from a copper plate correctly engraven. Boston: printed by T. Fleet, for Samuel Gerrish, near the Brick Meeting-House in Cornhill. 1723.

1 p.l., 11, [3] p., 8 numbered 1., pr. on alternate facing versos & rectos. 14 x 8 cm.

L. 1-8 engraved. Music printed from letter notation.

Boston News-Letter, 15-22 March 1723, advertises: 'This Day will be Published . . . a Second Sheet of Psalm Tunes in two Parts Neatly engraven on Copper, in the easy Method of Mr. Tufts's Singing book, and intended for an Addition to the Tunes in that Book, in which is contained all such common Tunes as were omitted in the first Sheet.p.l. recto, t-p.; verso blank; p. 1-5, 'The Publisher's Preface'; p. [6], 'An Hymn On the Divine Use of Music'; p. 7-11, 'Directions For Singing The Tunes which follow'; p. [12]-[13], 'A Table of the T[unes]'; p. [14] blank; 1. 1, rudiments; 1. 1-8, music. There has been of late a wonderful, and laudable Inclination in multitudes of People, both Old and Young, to learn to Sing according to the Rules of Music; and the Reformation that has been already made, begins to be visible in many Congregations, both in this Town, and in many Towns in the Country. [New par.] It is plain that the following easy Method of singing the Psalm-Tunes, has been greatly Instrumental of promoting this good Work; it has answer'd its End far beyond what was at first expected. I perswade myself that the Tunes in this Book being now printed from a Copper Plate correctly engraven, and in so fair a Character, will be far more agreeable than the former Editions, where the Notes stood at such a Distance, as render'd it unpleasant to the Eye, and more difficult to Learners. [New par.] There are two sorts of Singing, One common and usual, viz. When all the Company Sing in Unison, or the same Tune; the Other, When they Sing in Parts, each Part singing a distinct Tune, yet so composed in Concordance or Agreement, that being sung together, they yield a most delightful Harmony, most befitting grave and solemn Matters. In order to promote this most delightful harmonious Way of Singing in our Congregations, the Basses of the Psalm-Tunes are added in this Edition, being what has been most earnestly desired by many, and I hope will be acceptable to all, who covet the best Gifts, and are desirous that God may be praised by us in this sweet and excellent Part of Divine Worship, in the best manner that we can attain unto. [New par.] One great Beauty in singing is, when the Tune is set in such a Key, that the highest Notes in the Treble may be sung without squeaking, or straining ones Voice, and the lowest Notes of the Bass nobly move with a full Sound, and without grumbling. [New par.] Next to the right setting a Tune, is good leading, which has been sufficiently proved to be of excellent Service to prevent uncomfortable Jars and Discord in Singing, and tends to help against falling from the proper Key, which is almost natural in Congregations. [New par.] Here let me say, that 'tis my humble Opinion, that great Regard ought to be had in the Choice or Appointment of Persons to this Service, that they be such as are skilful, that they may with a becoming Courage lead their Brethren in singing the Songs of the Lord. [New par.] I wish that all who have learnt and are learning to sing, would be strictly careful to sing the Tunes true. That which makes me mention this, is, the Observation I have made of several Errors which have already crept into those Tunes which have been lately introduced into Congregations, as well as in some others that have been more commonly sung. 'Tis great pity but we should carefully strive against such Errors before they come to be deeply rooted. It must be evident to all, that every one of these Errors have been brought in by such as pretend to know more about Singing than their Neighbours. Another thing which hurts our Singing is, when People let out their Voice to that degree that they make those about them almost deaf with their unpleasant Screaming: This is certainly a violation of the Rules of good Manners, and savours too much of Affectation. [New par.] What a [vast?] Addition would it be to the Pleasure of Singing, if we had more Female Voices assisting in that Holy Exercise, and the sweet and sprightly Voices of our Children. Women have certainly greater Advantages to attain the Skill of Singing than Men. They have generally good Voices, and more Leisure than Men have; and their Obligations to Praise God are as full, and binding. And as to our Children, how affecting the Sight, how vast and charming the Pleasure to have them sweetly joining with us in our Family-Worship, as well as in the Publick Assemblies, in singing forth the Praises of their Great Creator! and this even by some almost as soon as they can speak plain, and begin to read. O that this time for the singing of Birds were come!' (Extract from Publisher's Preface.)

          34 compositions for 2 voices; textless. No attribs. 1 1st pr. identified (PSALM 100 NEW), also 8 1st Am. pr. (BRUNSWICK, EXETER, MANCHESTER, NORWICH, PSALMS 18, 137, SABBATH HYMN, STANDISH). 2 American compositions (PSALM 100 NEW, SOUTHWELL NEW), 32 traced to non-Americans. 

11 Core Repertory (1st pr. PSALM 100 NEW; Ist Am. pr. STANDISH).

          E32488 (no copy on Readex). PPiPT* (p. [13] mutilated in only copy located.)

NOTE: Efforts to trace PSALM 100 NEW to a non-American source have been unsuccessful, leading to the conclusion that it was composed in the colonies.

An Introduction to the Singing of Psalm-Tunes, [4th ed., 1723]

ASMI 492 

[An Introduction to the Singing of Psalm-Tunes, 4th ed.?, 1723] Boston Gazette, 11-18 Nov. 1723, advertises: Just publish'd, and to be sold by Samuel Gerrish Bookseller in Cornhill, Boston, A New Impression of the Small Singing-Book, in that most easy Method contrived by the Reverend Mr. Tufts, Containing 36 Psalm-Tunes, (the Trebles only) now done from Copper Plates.'

          Not in Evans. No copy located.

An Introduction to the Singing of Psalm-Tunes, 5th ed., 1726

ASMI 493 

An Introduction to the Singing of Psalm-Tunes, in a plain & easy method. With a collection of tunes in three parts. By the Rev. Mr. Tufts. The fifth edition. Printed from copper-plates, neatly engraven. Boston, in N.E. Printed for Samuel Gerrish, at the lower end of Cornhill. 1726.

1 p.l., 9, [1] p., 12 numbered 1., pr. on alternate facing versos & rectos. L. 1-12 engraved. Music printed from letter notation.

Boston Gazette, 17-24 Oct. 1726, advertises work as just published. p.l. recto, t-p.; verso, poem 'On the Divine Use of Musick'; p. 1-9, 'A Short Introduction To the Singing of Psalm-Tunes'; p. [10], 'A Table of Tunes'; 1. 1, rudiments; 1. 1-12, music.

          37 compositions, 36 for 3 voices, 1 for 2; textless. No attribs. 16 1st Am. pr. identified (ISLE OF WIGHT, NORTHAMPTON, PORTSMOUTH, PSALM 149, VENI CREATOR, WORCESTER). I Am. composition (PSALM 100 NEW), 36 traced to non-American sources. 

14 Core Repertory (1st Am. pr. ISLE OF WIGHT, PORTSMOUTH, PSALM 149).

          E39856 (MWA). MB*, MWA (music inc.; b.w. The Psalms, Hymns, and Spiritual Songs [The Bay Psalm Book], 21st ed., Boston: S. Kneeland & T. Green, for D. Henchman, 1726), NjPT (front matter & music inc.; b.w. inc. & unidentifiable issue of The Bay Psalm Book), PPiPT.

NOTE: This item has been reprinted in facsimile, with an introduction by Irving Lowens (Philadelphia, 1954).

An Introduction to the Singing of Psalm-Tunes, [6th ed., ca. 1727]

ASMI 494 

[An Introduction to the Singing of Psalm-Tunes . . . The sixth edition . . . ]

          Not in Evans. No copy located.

An Introduction to the Singing of Psalm-Tunes, 7th ed., 1728

ASMI 495 

An Introduction to the Singing of Psalm-Tunes . . .  The seventh edition . . .  Boston, in N.E. Printed for Samuel Gerrish, at the lower-end of Cornhill. MDCCXXVIII.

1 p.l., 9, [1] p., 12 numbered 1.

P.l. recto, t-p.; verso, 'A Table of Tunes'; p. 1-7, 'A Short Introduction To the Singing of Psalm-Tunes'; p. 8-9, text for Psalm 149; p. [10], texts, 'On the Divine Use of Music' & 'Gloria Patri'; 1. 1, rudiments; 1. 1-12, music. L. 1-12 printed from same plates as 5th ed.

          E39898 (MWA). CtY (copy also has 4 1. of blank staves, pr. on alternating versos & rectos; b.w. The Psalms, Hymns, and Spiritual Songs [The Bay Psalm Book] lacking t-p. but identifiable as either the 21st ed., Boston, 1726, or the 22d ed., Boston, 1729), MWA* (b.w. The Psalms, Hymns, and Spiritual Songs [The Bay Psalm Book], unidentified ed. w. mutilated t-p. [22d ed.? Boston: S. Kneeland & T. Green?, 1728?]), PPiPT (inc.).

An Introduction to the Singing of Psalm-Tunes, 8th ed., 1731

ASMI 496 

An Introduction to the Singing of Psalm-Tunes . . . The eighth edition . . .  Printed for Samuel Gerrish at the lower-end of Cornhil. MDCCXXXI. Boston, in N.Ε.

1 p.l., 9, [1] p., 12 numbered 1.

Contents same as 5th ed. L. 1-12 printed from same plates as 5th ed. (No. 493).

          Music same as 5th ed.

          E3482 (MHi). All copies b.w. The Psalms, Hymns, and Spiritual Songs [Bay Psalm Book]: MH-And (21st. ed., Boston: S. Kneeland & T. Green for D. Henchman, 1726), MHi* (unidentified ed., perhaps the 22d, Boston, 1729), NRU-Mus (music inc.; b.w. either 21st ed., Boston, 1726, or 22d ed., Boston, 1729).

An Introduction to the Singing of Psalm-Tunes, 9th ed., 1736

ASMI 497 

An Introduction to the Singing of Psalm-Tunes. . . Printed for Samuel Gerrish. MDCCXXXVI. The ninth edition. . . Boston, in N.Ε.

1 p.l., 8, [2] p., 8 numbered 1.

P.l. recto, t-p.; verso, 'A Table of Tunes'; p. 1-7, 'A Short Introduction To the Singing of Psalm-Tunes'; p. 7-8, text for Psalm 149; p. [9]-[10], 'On the Divine Use of Music'; p. [10], 'Gloria Patri'; 1. 1, rudiments; 1. 1-8, music. L. 1-8 printed from same plates as 5th ed. (No. 493).

          Music same as 5th ed. through 1. 8.

          E40104 (MSE). MSaE* (music inc.; only copy located lacks all after 1. 8).

An Introduction to the Singing of Psalm-Tunes, 10th ed., 1738

ASMI 498 

An Introduction to the Singing of Psalm-Tunes . . . Printed for Samuel Gerrish. MDCCXXXVIII. The tenth edition. . . . Boston, in N.Ε.

1 p.l., 7, [3] p., 12 numbered 1.

P.l. recto, t-p.; verso blank; p. 1-6, 'A Short Introduction To the Singing of Psalm-Tunes'; p. 6-7, text for Psalm 149; p. [8]-[9], texts, 'On the divine Use of music' & 'Gloria Patri'; p. [10], 'A Table of Tunes'; 1. 1, rudiments; 1. 1-12, music. L. 1-12 are newly engraved. 

          Music same as 5th ed., except that now all tunes (including STANDISH, which has only two voices in eds. 5-9) are set for 3 voices.

          E4315 (NN). CtY, DLC, MB, MH (lacks music; b.w. The Psalms, Hymns, and Spiritual Songs [The Bay Psalm Book], 26th ed., Boston: J. Draper for M. Dennis, 1744), NN*.

An Introduction to the Singing of Psalm-Tunes, 11th ed., 1744

ASMI 499 

An Introduction to the Singing of Psalm-Tunes . . . Printed for Samuel Gerrish, MDCCXLIV. The eleventh edition . . .  Boston, N.E.

1 p.l., 7, [3] p., 12 numbered 1.

Contents same as roth ed. L. 1-12 printed from same plates as 10th ed. (No. 498).

          Music same as 10th ed.

          E5502 (MWA). All copies b.w. The Psalms, Hymns, and Spiritual Songs [The Bay Psalm Book], Boston. CtY (w. 26th ed., J. Draper, for D. Henchman, 1744), DLC (w. 26th ed., J. Draper, for J. Blanchard, 1744), MWA* (w. 26th ed., J. Draper, for C. Harrison, 1744), NHi (w. 26th ed., 1744; imprint not seen), NjPT (w. unidentified ed.), RPJCB (music inc.; w. 26th ed., 1744; imprint not seen), ViU (w. 26th ed., J. Draper, for C. Harrison, 1744).

ASMI pp. 583-588.