Sacred Harp
Four editions of the Sacred Harp were printed in the 19th century: 1844 (1ed), 1850 (2ed), 1860 (3ed), and 1870 (4ed). Between those editions and before the 1909 James Book, reprints were also issued(¨X¨ print). The dates and numbers of those reprints are problematic. Many print records are yet to be discovered … if they still exist. All books listed below have been verified and partially or totally scanned.
All reprints listed in between the dates of editions reproduce the content of the previous edition. Changes generally occur on the pages / boards listed below.
Front Board - often (if not always) a copy of the title page with a decorative frame.
Title Page - P1 (May or may not be preceded by a photograph of B F White)
Copyright / Preface to the new Edition - P2
Back Board (from 1850 on, these will contain advertisements which may or may not change per printing).
Content: Pages
1st edition 1844 - 262 + 2 Indices
2nd edition 1850 - 366 + 2 indices
3rd edition 1860 - 429 + 3 indices
4th edition 1870 - 477 + 3 indices
-
1844 First Edition (1st Printing) — Philadelphia: Published by T. K. & P. G. Collins.
Front Board:
¨THE
Sacred Harp,
A COLLECTION OF
PSALM AND HYMN TUNES, ODES, AND ANTHEMS;
SELECTED FROM THE MOST EMINENT AUTHORS.
TOGETHER WITH
NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED.
Suited to most Metres,
AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS, AND PRIVATE SOCIETIES. WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE & E. J. KING.
PHILADELPHIA:
PUBLISHED BY T. K. & P. G. COLLINS,
FOR THE PROPRIETORS, B. F. WHITE & E. J. KING, HAMILTON, GA
1844.”Title page:
(Copy of Front Board without decorative frame)
“THE
Sacred Harp
A COLLECTION OF
PSALM AND HYMN TUNES, ODES, AND ANTHEMS;
SELECTED FROM THE MOST EMINENT AUTHORS.
TOGETHER WITH NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED.
Suited to most Metres,
AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS, AND PRIVATE SOCIETIES.
WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE & E. J. KING.
PHILADELPHIA: PUBLISHED BY T. K. & P. G. COLLINS,
FOR THE PROPRIETORS, B. F. WHITE & E. J. KING, HAMILTON, GA.
1844.”
P 1Copyright page:
“Entered according to act of Congress, in the year 1844, by B. F. White & E. J. KING, in the Clerk's Office of the District
Court of the Eastern District of Pennsylvania.
Stereotyped by L. Johnson, Philadelphia.
Printed by T. K. & P. G. Collins.”
P 2Preface pages, (Preface p 3, Introduction p 4, Rudiments pp 5-22, General Observations pp 23-24, Dictionary of Musical Terms p 25).
Blank
P 26Music:
“PART I.
CONSISTING OF PIECES USED BY WORSHIPING ASSEMBLYS.”
pp 27-162.
"PART II.
CONSISTING PRINCIPALLY OF PIECES USED IN SINGING SCHOOLS AND SOCIETIES.”
pp 163-224.
“PART III.
CONSISTING OF ODES AND ANTHEMS.”
pp 225-262.Indices:
“GENERAL INDEX”
P 263“METRICAL INDEX”
P 264Back Board:
Blank (?)… 2nd Printing — Philadelphia: T. K. & P. G. Collins. 1847
Front Board:
Same as 1st edition 1st print 1844. Date changed to 1847.
Title page:
Copy of Front Board (without decorative frame)- Same as 1st edition 1st print. Date changed to 1847.Contents from pp 2 - 264 are the same as the 1st edition 1st print 1844.
Back Board:
Blank (?)… 3rd Printing — Philadelphia: T. K. & P. G. Collins. 1848
Front Board:
Same as 1st edition 1st print 1844. Date changed to 1848.Title page:
Copy of Front Board (without decorative frame)- Same as 1st edition 1st print 1844. Date changed to 1848.Contents from pp 2 - 264 are the same as the 1st edition 1st print 1844.
Back Board:
Blank (?) -
Front Board:
No clear copy at this time. Likely same as Title Page.Title page:
Likely copy of Front Board (without decorative frame).
¨THE
SACRED HARP,
A COLLECTION OF PSALM AND HYMN TUNES, ODES, AND ANTHEMS,
SELECTED FROM THE MOST EMINENT AUTHORS:
TOGETHER WITH NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED;
SUITED TO MOST METRES,
AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS, AND PRIVATE SOCIETIES,
WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE & E. J. KING.
TO WHICH IS ADDED AN APPENDIX,CONTAINING A VARIETY OF STANDARD AND FAVOURITE TUNES NOT COMPRISED IN THE BODY OF THE WORK,
COMPILED BY A COMMITTEE APPOINTED BY
THE SOUTHERN MUSICAL CONVENTION'
PHILADELPHIA:
PUBLISHED BY T. K. COLLINS, JP, NO. 8 NORTH SIXTH STREET. AND T. K. & P. G. COLLINS,
FOR THE PROPRIETORS, WHITE, MASSENGALE & CO., HAMILTON, GA.
1850”
P 1Copyright page:
“Entered according to act of Congress, in the year 1844, by B. F. White & E. J. King, in the Clerk's Office
of the District Court of the Eastern District of Pennsylvania.
PRINTED BY T. K. & P. G. COLLINS.”
P 2Contents from pp 3 - 262 are the same as the 1st edition 1st print 1844.
Additional music:
“APPENDIX TO THE SACRED HARP:
CONTAINING A VARIETY OF
STANDARD AND FAVOURITE TUNES NOT COMPRISED IN THE BODY OF THE WORK.
COMPILED BY
A COMMITTEE APPOINTED BY ´THE SOUTHERN MUSICAL CONVENTION.
The Committee appointed by "The Southern Musical Convention," at its last session, to whom was referred the revision and enlargement of the Sacred Harp, beg leave to say to all whom it may concern, that we, according to appointment, have taken the work under consideration and inspection, and have corrected the rudimental errors in said work, and the typographical errors in the music, and have also added such pieces of composition as we think are calculated to enhance the value of the work, and are happily adapted to the use of the public generally, as an Appendix to the Sacred Harp, and have adopted the same.
All of which is respectfully submitted,
B. F. WHITE,
S. R. PENICK,
JOEL KING,
LEONARD P. BREEDLOVE,
J. R. TURNER, E. L. KING,
R. F. M. MANN,
A. OGLETREE,
Committee.
Hamilton, Jan. 12, 1850. [Adopted.]
263”
P 263Music continues to p 366
Indicise:
“GENERAL INDEX”.
P 367
“METRICAL INDEX”.
P 368Back Board:
(Printed, but no clear copy at this time. Appears to differ from later 2nd edition printings.)
... 2nd Printing, 1857 — Philadelphia: T. K. Collins, Jr. and T. K. & P. G. Collins.Front Board:
Damaged but identifiable as the same as the 2nd edition 1st print 1850 with date changed to 1857.Title page:
Likely copy of Front Board (without decorative frame).
P1Copyright page
Not available. Likely same as 2nd ed 1st print.
P2Contents
Not available. Likely same as 2nd ed 1st print.
Additional music
Not available. Likely same as 2nd ed 1st print.
Indices
Not available. Likely same as 2nd ed 1st print.
Back Board:
Not available.
… 3rd Printing 1859— Philadelphia: S. C. Collins.Front Board:
“THE
SACRED HARP,
A COLLECTION OF PSALM AND HYMN TUNES, ODES, AND ANTHEMS,
SELECTED FROM THE MOST EMINENT AUTHORS:
TOGETHER WITH NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED;
SUITED TO MOST METRES,
AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS AND PRIVATE SOCIETIES. WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE & E. J. KING.
TO WHICH IS ADDED AN APPENDIX, CONTAINING A VARIETT OF STANDARD AND FAVOURITE TUNES NOT COMPRISED IN THE BODY OF THE WORK, COMPILED AT A COMMITTEE APPOINTED BY "THE SOUTHERN MUSICAL CONVENTION."
PHILADELPHIA: PUBLISHED BY S. C. COLLINS, N. E. CORNER SIXTH AND MINOR STREETS, FOR THE PROPRIETORS, WHITE, MASSENGALE & CO., HAMILTON, GA.
1859.”Title page:
Same as Front Board (without decorative frame).
P 1
Copyright page:
Same as 2nd ed 1st print 1850.
P 2Contents from pp 3 - 368 are the same as the 2nd edition 1st print 1850.
Back Board:
Printed- Left side of back board:
¨Collins & M' Leester'
NORTH AMERICAN Type, Stereotype, and Electrotype FOUNDRY, AND PRINTERS' FURNISHING WAREHOUSE.
No. 705 JAYNE STREET,
Back of New Masonic Temple,
PHILADELPHIA.
TYPE WARRANTED to be equal to any made IN THE WORLD.Old type taken in exchange for new at ten cents per lb., if delivered to us free of charge.
We have just completed our SPECIMEN Book, which we think will compare with any issued by the trade. As our styles of type, both plain and fancy, are much the same as can be found in most of the Specimen Books, we are prepared to furnish any-thing that may be selected.
Every article necessary to a Printing Office constantly on hand. STEREOTYPE BLOCKS of all sizes made to order.
Particular attention given to STEREOTYPING MUSIC BOOKS.Agents for Hoe's, Adams', Ruggles', Taylor's, Princeton, Gordon's, Foster's, and Davis' Oscillating Presses.¨
Right side of back board:
¨STEAM-POWER
Printing Establishment,
No. 705 JAYNE STREET, Back of New Masonic Temple,
PHILADELPHIA.
BOOKS, PAMPHLETS, PAPER-BOOKS,
Order-Books, Receipt-Books, Cheque-Books,
CARDS, CIRCULARS,
LABELS, BILL-HEADS, ETC.,
EXECUTED IN THE BEST STYLE, AND AT THE SHORTEST NOTICE.
The proprietor, having one of the LARGEST AND MOST COMPLETE ESTABLISHMENTS IN THE UNITED STATES, capable of printing TWO HUNDRED REAMS of paper per day, is prepared to contract to furnish editions of books with the utmost promptness, and on very reasonable terms.
T. K. COLLINS, Ag't.¨ -
1860 Third Edition (1st Printing) — Philadelphia: Published by S. C. Collins.
Front Board:
No clear copy at this time.Title page:
Likely copy of Front Board (without decorative frame)-
“NEW AND MUCH IMPROVED AND ENLARGED EDITION.
THE
SACRED HARP,
A COLLECTION OF PSALM AND HYMN TUNES, ODES, AND ANTHEMS,
SELECTED FROM THE MOST EMINENT AUTHORS:
TOGETHER WITH NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED;
SUITED TO MOST METRES,
AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS, AND PRIVATE SOCIETIES.
WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE & E. J. KING.
TO WHICH IS ADDED APPENDIX I., CURTAINING A VARIETY OP STANDARD AND FAVORITE TUNES NOT COMPRISED IN THE BODY OF THE WORK, COMPILED BE COMMITTEE APPOINTED BY
‘THE SOUTHERN MUSICAL CONVENTION.’
ALS0, APPENDIX II., 77 PIECES OF NEW COMPOSITION BY DISTINGUISHED WRITERS NEVER BEFORE PUBLISHED.
PHILADELPHIA:
PUBLISHED BY S. C. COLLINS, N. E. CORNER SIXTH AND MINOR STREETS, FOR THE PROPRIETORS, WHITE, MASSENGALE & CO, HAMILTON, GA.
1860.”
P 1Copyright page:
“Entered according to act of Congress, in the year 1860, by B. F. White & E. J. King, in the Clerk's Office of the District
Court of the Eastern District of Pennsylvania
COLLINS, PRINTER”
P 2Contents from pp 3-366 same as 2nd edition 1st print 1850.
Additional music:
“ NEW APPENDIX.
The Committee appointed by the Musical Convention to enlarge ‘’The Sacred Harp,’ met according to appointment, and have adopted about one hundred pieces, being new compositions never before published, for a second Appendix to ‘The Sacred Harp.
All of which is respectfully submitted,
B. F. WHITE,
A. OGLETREE,
E. T. POUND,
T. WALLER,
J. P. REES,
J. T. EDMUNDS,
R. F. BALL,
A. S. WEBSTER,
Committee.
January 18, 1859.”
P 367Music continues to p 429.
Indices:
“GENERAL INDEX”
P 430
“GENERAL INDEX / METRICAL INDEX”
P 431
“METRICAL INDEX”
P 432Back Board:
No clear copy at this time. -
1870 Fourth Edition (1st Printing) — Philadelphia: S. C. Collins. Publisher.
Front Board:
“FOURTH EDITION, MUCH IMPROVED AND GREATLY ENLARGED.
THE
SACRED HARP,
A COLLECTION OF PSALM AND HYMN TUNES, ODES, AND ANTHEMS,
SELECTED FROM THE MOST EMINENT AUTHORS:
TOGETHER WITH NEARLY ONE HUNDRED PIECES NEVER BEFORE PUBLISHED;
SUITED TO HOST METRES, AND WELL ADAPTED TO CHURCHES OF EVERY DENOMINATION, SINGING SCHOOLS, AND PRIVATE SOCIETIES.
WITH PLAIN RULES FOR LEARNERS.
BY B. F. WHITE AND E. J. KING.
FOURTH EDITION, ENTIRELY REMODELLED.
CONTAINING
ONE HUNDRED AND THIRTY NEW AND SELECT PIECES, EXPRESSLY ARRANGED AND PREPARED FOR THIS BOOK.
COMPILED BY A COMMITTEE APPOINTED BY ‘THE SOUTHERN MUSICAL CONVENTION.’
PHILADELPHIA:
S. C. COLLINS, PUBLISHER, 705 JAYNE STREET.
PHILADELPHIA: CLAXTON, REMSEN, & HAFFELFINGER; J. B. LIPPINCOTT & CO. NEW YORK: COLLINS & BRO. ATLANTA, GA: M. LYNCH & CO. LOUISVILLE, KY: JOHN P. MORTON & CO. SAVANNAH, GA. JOHN M. COOPER & CO. ST. LOUIS, MO: J, W. MCINTYRE.
NEW ORLEANS: G. H. GOETZEL WACO, TEXAS: W. H. WATKINS. MEMPHIS, TENN: H. WADE & CO.”Title page:
Same as Front Board without decorative frame.
P 1Copyright page:
“PREFACE TO THE NEW EDITION
In presenting to the musical public the following enlarged and greatly improved edition of the SACRED HARP, it is but an act of simple justice to the Committee appointed by the Musical Convention which met at our residence on the 25th, 26th, and 27th of November, 1869, to state that they acted with zeal and energy like a band of Christian and scientific gentlemen who had an eye to the honor of the Christian Church and to the promotion of musical knowledge among their fellow-men. In the opinion of the Committee it was considered best to continue the 4-shape notes, as exhibited in the body of the work. For the faithful services rendered by the Committee, we hope they will accept our grateful acknowledgments.
As an author we beg leave to return our thanks to our patrons for the great favor with which the HARP has been received a favor far exceeding our most sanguine anticipations. We have reason to trust that the present effort will merit a continuance of the same generous patronage.
In this edition there will be found more than ONE HUNDRED pieces of music never before published, all of which have been expressly arranged for the HARP. To those who are tenacious and scrupulous ns to the different terms by which musical sounds should be expressed, allow us to say that we have carefully and earnestly studied the subject for forty-seven years, during the last twenty-seven years of which period we have been especially vigilant in seeking for musical terms more appropriate to the purpose than the four names used in this book; but candor compels us to acknowledge that our search has been unavailing. The scheme which our prolonged and laborious examination has inclined us to prefer to all others has had the sanction of the musical world for more than four hundred years; and we scarcely think that, on this subject, we can do better than abide by the advice" Ask for the old paths, and walk therein."
B. F. WHITE.
Entered according to act of Congress, in the year 1870, by B. F. and D. P. WHITE, in the Clerk's Office of the District Court for the Eastern District of Pennsylvania.”
COLLINS, PRINTER
P 2Contents from pp 3-429. Same as 3rd edition 1st print 1860.
Additional music:
“ NEW APPENDIX TO THE SACRED HARP.
The Committee appointed by ´The Southern Musical Convention of the State of Georgia,´ at its last session, to whom were referred the revision and enlargement of the SACRED HARP, beg leave to make the following report. In discharging the duties of said appointment to the best of their ability, they carefully examined the work, and corrected a few verbal and typographical errors which had escaped detection in the previous edition. In this Appendix they have introduced a large number of new compositions from the pens of the most eminent teachers and composers of vocal music. They have also displaced several pieces in the body of the work for others which they think will prove favorite compositions. In the judgment of the Committee The SACRED HARP is now fully suited to the wants of the singing public, and will meet the taste and feelings of the Southern people.
All of which is respectfully submitted.
B. F. WHITE,
EDMUND DUMAS,
ABSALOM OGLETREE,
R. F. M. MANN,
MARION PATRICK.
Committee.
November, 1869.
430”
P 430Music continues to p 477.
Indices:
“GENERAL INDEX”
P 478
“GENERAL INDEX/ METRICAL INDEX”
P 479
“METRICAL INDEX”
P 480Back Board:
¨VALUABLE MUSIC BOOKS,
PUBLISHED AND FOR SALE BY
S. C. COLLINS,
No. 705 JAYNE STREET, PHILADELPHIA.¨(Left side of back board.)
¨A New Edition, Enlarged and Improved.
THE TIMBREL OF ZION; a-Collection of Psalm and Hymn Tunes, Anthems and Chants, from the most distinguished European and American authors, embracing all the modern improvements, and containing a clear exposition of the Primary Principles of Musical Science. Designed for the use of Choirs, Singing Schools, and Societies. The whole constituting a body of Church Music as complete as ever issued from the press. By T. K. Collins, Jr.
The scale of transposition by flats and sharps, and the location of the clefs, are precisely similar to the round note system; in addition to which each syllable in the octave has distinct form, the same shapes being employed as those used in the ´Christian Minstrel,´ Harmonia Ecclesiae, &c. The first lessons, Including the elements of Vocal Music, have been prepared with great care, and elucidate the sciences in a manner clear, conclusive, rendering the work doubly easy for beginners. Thus Made [Together and Singers] have presented to them a new book, combining the advantages of both the Round Note and Character Note systems
THE AEOLIAN GLEE BOOK. (On the same system as Timbrel of Zion) Consisting of a choice Collection of Glees, Quartettes, Trios, Round and Harmonized Songs, Arranged for Soprano Alto Tenor, and bass voices. Designed for Singing Classes, Musical Societies, and Social Singing Parties. By T. K. COLLINS, Jr.
A NEW WORK. Just Issued.
THE SABBATH-SCHOOL TIMBREL; a very Choice Collection of Hymns and Tunes for the Sabbath School. On the same notation as ´The Timbrel of Zion.´ By T. K. COLLINS, Jr.THE CHRISTIAN MINSTREL; a New System of Musical Notation; with a choice Collection of Psalm and Hymn Tunes, Anthems and Chants, selected from the most popular works in Europe and America. Designed for the use of Churches, Singing Schools, and Societies. By J. В. Аiken.¨
(Right side of back board)
¨A New Edition, Enlarged and Improved.
THE HARMONIA ECCLESIAE; OR, COMPANION TO THE CHRISTIAN MINSTREL: being a very cholce Collection of Psalm and Hymn Tunes. Anthems, Chants, &c. Designed for Choirs, Singing Schools, and Singing Societies. By J. B. AIKIN.This is an entirely new book of tunes, published on the same system as the Christian Minstrel.
THE JUVENILE MINSTREL; a Choice Selection of Moral and Sacred Songs. Designed for Schools, Select Classes, and Family Circles. By J. B. Aikin. Published on the same system as the Christian Minstrel.THE SABBATH-SCHOOL MINSTREL;a Collection of the most popular Hymns and Tunes, together with a great variety of the best Anniversary Pieces. The whole forming a complete Manual for the Sabbath School, By J. B. AIKIN.
An entirely New Edition, with extensive Improvements and Addition
THE SACRED HARP; a Collection of Church Music well adapted to every denomination of Christians, Singing and Private with Plain Rules for Beginners. By White & King. Four Character Notes.THE SOCIAL HARP; containing a great Variety of the Most Approved Church Music, selected chiefly from the old standard authors; with many original compositions. By J. G. МеСURRY. Four Character Notes.
THE HESPERIAN HARP; a Collection of Sacred, Temperance, Patriotic, and Moral Pieces, comprising a number of Scotch and German Melodica. By WILLIAM HOUSER. 556 pages. Four Character Notes.”
…Fourth Edition (2nd Printing) 1870 — Philadelphia: Collins Printing House, J. W. Huff, Proprietor.Front Board:
FOURTH EDITION, . . .
PHILADELPHIA:
COLLINS PRINTING HOUSE, 705 JAYNE STREET.
J. W. HUFF, PROPRIETOR
PHILADELPHIA: J. B. LIPPINCOTT & CO.; NEW YORK, COLLINS & BRO., A. S. BARNES & CO.; ST LOUIS, MO, JOHN L. BOLARD; BALTIMORE, MD., T. NEWTON KURTZ; LOUISVILLE, KY,; J. P. MORTON & CO; MOBILE, ALA., J. K. RANDALL;
LITTLE ROCK, ARKANSAS, WILSON & WEBB.Title page
Same as Front Board without decorative frame.
P 1Copyright page
Same as 4th edition 1st print 1870.
P 2Contents Same as 4th edition 1st print 1870.
Additional music
Same as 4th edition 1st print 1870.Indices
Same as 4th edition 1st print 1870.Back Board:
¨VALUABLE MUSIC BOOKS,
PUBLISHED AND FOR SALE BY
COLLINS PRINTING HOUSE,
W. HUFF, Proprietor.
No. 705 JAYNE STREET, PHILADELPHIA.¨(Left side of back board.)
¨A New Edition, Enlarged and Improved.
THE TIMBREL OF ZION; a-Collection of Psalm and Hymn Tunes, Anthems and Chants, from the most distinguished European and American authors, embracing all the modern improvements, and containing a clear exposition of the Primary Principles of Musical Science. Designed for the use of Choirs, Singing Schools, and Societies. The whole constituting a body of Church Music as complete as ever issued from the press. By T. K. Collins, Jr.
The scale of transposition by flats and sharps, and the location of the clefs, are precisely similar to the round note system; in addition to which each syllable in the octave has distinct form, the same shapes being employed as those used in the ´Christian Minstrel,´ Harmonia Ecclesiae, &c. The first lessons, Including the elements of Vocal Music, have been prepared with great care, and elucidate the sciences in a manner clear, conclusive, rendering the work doubly easy for beginners. Thus Made [Together and Singers] have presented to them a new book, combining the advantages of both the Round Note and Character Note systemsTHE AEOLIAN GLEE BOOK. (On the same system as Timbrel of Zion) Consisting of a choice Collection of Glees, Quartettes, Trios, Round and Harmonized Songs, Arranged for Soprano Alto Tenor, and bass voices. Designed for Singing Classes, Musical Societies, and Social Singing Parties. By T. K. COLLINS, Jr.
A NEW WORK. Just Issued.
THE SABBATH-SCHOOL TIMBREL; a very Choice Collection of Hymns and Tunes for the Sabbath School. On the same notation as ´The Timbrel of Zion.´ By T. K. COLLINS, Jr.THE CHRISTIAN MINSTREL; a New System of Musical Notation; with a choice Collection of Psalm and Hymn Tunes, Anthems and Chants, selected from the most popular works in Europe and America. Designed for the use of Churches, Singing Schools, and Societies. By J. В. Аiken.¨
(Right side of back board)
¨A New Edition, Enlarged and Improved.
THE HARMONIA ECCLESIAE; OR, COMPANION TO THE CHRISTIAN MINSTREL: being a very cholce Collection of Psalm and Hymn Tunes. Anthems, Chants, &c. Designed for Choirs, Singing Schools, and Singing Societies. By J. B. AIKIN.
This is an entirely new book of tunes, published on the same system as the Christian Minstrel.THE JUVENILE MINSTREL; a Choice Selection of Moral and Sacred Songs. Designed for Schools, Select Classes, and Family Circles. By J. B. Aikin. Published on the same system as the Christian Minstrel.
THE SABBATH-SCHOOL MINSTREL;a Collection of the most popular Hymns and Tones, together with a great variety of the best Anniversary Pieces. The whole forming a complete Manual for the Sabbath School, By J. B. AIKIN.
An entirely New Edition, with extensive Improvements and Addition
THE SACRED HARP; a Collection of Church Music well adapted to every denomination of Christians, Singing and Private with Plain Rules for Beginners. By White & King. Four Character Notes.A New Work. Just Issued from the Press
GEMS OF MUSIC FOR THE SABBATH-SCHOOL; being a choice Collection of Tunes, from the most Eminent Authors: in J. B. AIKIN's Seven-Character Notes. Containing also a clear Exposition of the Principles of Music. One of the finest collections of Sabbath-School Music yet published. By T. H. CALDWELL… Fourth Edition (3rd Printing) 1870 - Atlanta, GA.: Chas. P. Byrd, Publisher.
Front Board:
FOURTH EDITION, . . .
ATLANTA, GA.:
CHAS. P. BYRD, PUBLISHER.
ATLANTA, GA, C. P. BYRD, PHILLIPS & CREW, S. P. RICHARDS & SON. SAVANNAH, CA, LUDDEN & BATES, MOBILE, ALA., J. K. RANDALL, St. Louis, Mo., Jno L. BOLAND.Title page:
FOURTH EDITION, . . . ATLANTA, GA.: CHAS. P. BYRD, PUBLISHER.
ATLANTA, GA., C. P. BYRD, PHILLIPS & CREW, S. P. RICHARDS & SON. SAVANNAH, GA., LUDDEN & BATES. MOBILE, ALA., J. K. RANDALL. LITTLE ROCK, ARK., WILSON & WEBB. LOUISVILLE, KY., J. P. MORTON & CO. BALTIMORE, MD., T. NEWTON KURTZ, ST. LOUIS, MO., JNO. L. BOLAND. NEW YORK, COLLINS & BRO., A. S. BARNES & CO. PHILADELPHIA, J. B. LIPPINCOTT & Co.
P 1Copyright page
Same as 4th edition 1st print 1870. “COLLINS, PRINTER.” Omitted at bottom of page.
P 2Contents
Same as 4th edition 1st print 1870.Additional music
Same as 4th edition 1st print 1870.Indices
Same as 4th edition 1st print 1870..Back Board:
SACRED HARP OLD AND NEW EDITIONS.
PHILLIPS & CREW COMPANY,
ATLANTA, GEORGIA.
Publishers and Dealers In Music and Books. Both Notations. Write Us for the Book Wanted.
DO YOU PLAY
A PARLOR ORGAN?
THEN BUY FROM PHILLIPS & CREW CO., Atlanta, Ga.
Pay $28.00 Now
Then $28.00 More Twelve Months Later.
A CHURCH ORGAN?
FOR $29.00 CASH
ANOTHER FOR $55.00 CASH
OTHERS FOR $70-$90 TO $150
Do You Want
A PIANO
AN ORGAN
A GUITAR
A BANJO
A VIOLIN
A CORNET
AN ACCORDEON
Or Anything Else in the Music Line
THEN WRITE FOR CATALOGUE AND PRICES TO PHILLIPS & CREW CO..
Oldest Music Store in Georgia. ATLANTA, GA.
MUSIC BOOKS
Of All Kinds Prices. Prompt Attention.
Phillips & Crew Co.ATLANTA, GEORGIA.… Fourth Edition (4th Printing) 1897 - Atlanta, GA.: Chas. P. Byrd, Publisher.
Front Board:
FOURTH EDITION, . . . ATLANTA, GA. CHAS. P. BYRD, PUBLISHER.
ATLANTA, GA, C. P. BYRD . . . St. Louis, Mo., Jno L. BOLAND.
Copyrighted, 1897, by C. P. Byrd. All Rights Reserved.Title page
Same as Front Board without decorative frame.¨Copyrighted, 1897, by C. P. Byrd. All Rights Reserved.” omitted.
P 1Copyright page
Same as 4th edition 1st print 1870. “COLLINS, PRINTER.” Omitted at bottom of page.
P 2Contents
Same as 4th edition 1st print 1870.Additional music
Same as 4th edition 1st print 1870.Indices
Same as 4th edition 1st print 1870.Back Board:
THE "OLD" SACRED HARP
SUPPLIED BY
PHILLIPS & CREW CO.
MAMMOTH MUSIC HOUSE
Atlanta, Ga.
SAMPLE COPY BY MAIL 90 CENTS.
SEND FOR WHOLESALE PRICES.
A PARLOR ORGAN FOR 28.00 NOW
And 28.00 Twelve Months Later
HIGH-GRADE ORGAN, FREIGHT FREE,
STOOL AND BOOK INCLUDED.
A CHURCH ORGAN FOR 40.00 CASH
And 17.00 in Twelve Months.
THIS IS AN $80.00 ORGAN.
SENT FREE OF FREIGHT.
PIANOS
Do you want
A GUITAR
A BANJO
A VIOLIN
A CORNET?
OR ANYTHING ELSE IN THE MUSIC LINE ?
THEN WRITE FOR PRICES TO PHILLIPS & CREW CO.. Allanta, Ga.
"NEW" SACRED HARP
SAMPLE Copy
POSTPAID 65c
SEND STAMPS TO PHILLIPS & CREW CO., Atlanta, Ga.. . . Fourth Edition (5th Printing) 1897 - Atlanta, GA.: Jas. L. White, Publisher.
Front Board:
FOURTH EDITION, . . . ATLANTA, GA
JAS. L. WHITE, PUBLISHER
ATLANTA, GA.
PHILLIPS & CREW. S. P. RICHARDS & SON, SAVANNAH, GA, LUDDEN & BATES. MOBILE, ALA. R.. K. RANDALL. LITTLE ROCK, ARK. WILSON & WEBB, LOUISVILLE,, KY, J. P. MORTON & CO, BALTIMORE, MD. T. NEWTON KURTZ. St. Louis, MO., JNO. L. BOLAND
Copyright, 1897, by C. P. BYRD. All Rights ReservedTitle page
Likely same as Front Board without decorative frame and ¨Copyright, 1897, by C. P. BYRD. All Rights Reserved.¨ omitted.
P 1Copyright page
Same as 4th edition 1st print 1870. “COLLINS, PRINTER.” Omitted at bottom of page. (Not yet examined and confirmed)
P 2Contents
Same as 4th edition 1st print 1870. (Not yet examined and confirmed)Additional music
Same as 4th edition 1st print 1870. (Not yet examined and confirmed)Indice
Same as 4th edition 1st print 1870. (Not yet examined and confirmed)Back Board:
Same as backboard 4th edition 4th print 1897.
Observations:
1. Note that we use the date 1860 for the third edition. This edition is often labeled 1859. However, since there exist an 1859 second edition, to retain that date would be confusing.
2. If a book has its title page it is easy enough to identify. If the book is damaged, there are a few variations worth considering which are addressed and illustrated
HERE.